Aashiq banaya aapne

AASHIQ BANAYA AAPNE doesn't remind you of any one film in particular. To be honest, there's no story in the first place. The concept of two guys fighting over one girl has been beaten to death in Bollywood.If the first half is devoid of anything interesting, you expect some movement in the story towards the post-interval portions. And the title song -- a provocative and erotic number -- does promise a turn for the better. But it stagnates soon after.Aaditya Datt's direction is as poor as his script. The biggest drawback of the film is that it relies so heavily on been-there-seen-that situations that you actually search for something innovative throughout those two hours.Even the climax is such a letdown. Painting Emraan clean and Sonu black seems so odd and just doesn't gel. In the first place, how did Emraan get to know that Sonu had set him up? Moreover, since all three of them [Sonu, Emraan, Tanushree] had been hospitalized and were lying unconscious, how do the cops get to know that Sonu was the real culprit? Questions galore, but no answers are forthcoming. A convincing climax was the need of the hour for sure. Seems like, Aaditya took the audience for granted!Himesh Reshammiya's music is foot-tapping and racy. The title track is the best of the lot, followed by 'Aapki Kashish' and 'Marjava Mitjava'. The picturization of a few songs, mainly the title track, is fascinating. Cinematography is quite okay. Dialogues are strictly functional.



aashiq banaya aapne


aashiq banaya aapne


aashiq banaya aapne


aashiq banaya aapne


aashiq banaya aapne