Showing posts with label Bollywood-Movie-reviews. Show all posts
Showing posts with label Bollywood-Movie-reviews. Show all posts

Movie preview : tera kya hoga johnny

Tera Kya Hoga Johnny is a thriller-cum-drama where emotions like greed, lust, love, betrayal and hope acquire a new meaning in a Mumbai that desperately wants to be Shanghai. Written and directed by Sudhir Mishra, the movie stars Neil Nitin Mukesh, Shahana Goswami, Kay Kay Menon, Soha Ali Khan, Karan Nath and Sikander Agarwal in leading roles. The film tells the story of Parvez (Neil Nitin Mukesh) who wants to be a part of the 'India Shining' dream. His life is torn between his desperation to run away with the love of his life Divya (Shahana Goswami) who is married to a corrupt encounter cop Chiple (Kay Kay Menon) and his commitment to his family. Parvez needs to get rich and real quick. The problem is that he has no clue how!

When Parvez decides to steal Chiple's ill-gotten money stashed in a flat, it sets into motion a thrilling ride of emotions that engulfs not just his life but also of a coffee delivery boy (Sikandar Agarwal).

The film is also the story of Priti (Soha Ali Khan) and Vishal (Karan Nath). She is a small time model fighting the good fight and he, the typical cocaine snorting big dream loser on the invariable and inexorable spiral into crime. Intertwined in the lives of these characters are Chutta (Vijay Maurya), a drug dealer who wants to corporatize the trade, his eunuch sugar momma Begum (Saurabh Shukla) and a mysterious billionaire who gets drawn into their lives.

They are all playing a game called Life. They are all waiting to ride on that one wave. Tera Kya Hoga Johnny has music by Pankaj Awasthi, Abhishek Ray and Ali Azmat. The film is set to release today (on December 17).

Source: apunkachoice
















Tera kya hoga johnny

Farah about Shah Rukh and Tees maar khan

Farah Khan speaks about her next release Tees Maar Khan, her new leading man and her relationship with SRK. She says a lot more about her relation with Shah Rukh Khan. She says things have become quite normal and at the same time she seems happy to have a without the King Khan. She says it would be the first film that she could own. Q: Realistically, what are your expectations from the box office?

A: Realistically? (Laughs) I think it should be a super duper bumper hit.

Q: The biggest hit of the year?

A: Now that I can't say, yaar. Because I am not into figures but in my head, of course, I will want it to be the biggest hit of the year.

Q: Has anyone told you that you are becoming a female version of Aamir Khan, with the cross-country marketing campaign you have planned.

A: (Grins) I like Aamir Khan's last interview in Mid Day and have decided to become like him. Now I am going also to think 48 times before I say anything. But seriously, I feel there are a lot more eyeballs on the movie, a lot of people are waiting to see the film to see how it will be...

Q: I guess that's because this is your first film without SRK.

A: I think so. For whatever reason, a lot of credit for my films used to be given to the fact that Shah Rukh acted in them. A lot of people in the industry want to pull you down, and they always said, 'Oh, her films run because he's in it.' But I want to tell them that Shah Rukh was in many movies that didn't run. So this time, good, bad, ugly... whatever, it is going to be my movie.

Q: You have a certain work chemistry with Shah Rukh. You both have and enjoy the same kind of humour. How would you describe your work chemistry with Akshay?

A: With Akshay, our work ethic is the same, so there is a different type of chemistry. We both get up at seven in the morning. (Rolls eyes) Actually he gets up at five! And so we start early. I have to say that with Shah Rukh, it was easier because he'd done two films with me and lot of songs together, so I didn't have to explain the humour. With Akshay, it is a different kind of humour.

Q: You think things will go back to being normal again between you and him?

A: (Thinks) Well, things may go back to being normal. Of course. Why not? There is nothing permanent here, I have realised that. And even now when I meet him which hasn't happened in the last six months things were normal, as if nothing was wrong. We met at the hospital, where we'd both gone to visit Bobby Chawla.

Q: When you decided not to cast SRK, you must've considered several actors. What worked in Akshay's favour?

A: We considered a lot of actors. But I think Akshay's persona worked in his favour. A boy could not do this role; it had to be a man. It had to be a tall, strapping good-looking man who took his looks for granted. When people see this film, I think they will not ask this question. I could only visualise him in this role.

Q: How were things between you and Akshay on the first day of the shoot?

A: It was very strange. The first three days were like that because you have to find that comfort level and learn to trust each other. It's like a new marriage. You tiptoe around each other. You don't know how much you can say to that person and get away. I am sure it must've been the same way for Akshay too. It must've been too weird for him to work with a new director.

Q: And a female one at that.

A: Yeah, but not that anyone thinks I am a female director. That's the least of their worries. (Giggles) I don't come with powder, rouge and lipstick to sit in their van and seduce them. But for the record, he has done Tanuja Chandra's Sangharsh.

Q: Didn't you think that Akshay-Katrina was a been there-done that pair?

A: I did. It did stop me from signing her for very long. I didn't cast her for almost two months after announcing the film. I felt what is interesting about this pair was: They had done five films together. But I didn't have a choice, because I wanted a new girl and I could not find someone who suited the role. So I took it up as a challenge to cast Kat and do something different with her.

Q: And you did. You starved her till she became size zero.

A: You know that's really silly. I'm the last person to starve anyone. I'm fond of feeding people and of eating. When I told her 'This is what you have to wear', she took it upon herself to get that body. Earlier, actresses wanted to act in Yash Chopra films because he made his leading ladies look ravishing on screen. In Main Hoon Naa, you did the same with Sushmita Sen and now with Kat in TMK.

Wow! Manmohan Desai se Yash Chopra. Not bad! Please spread this rumour. I like it. But seriously... Sushmita was far from size zero in MHN. Yes, I present my heroines well.

Considering Karan (Johar) calls me a heroine hater, I think I am doing a rather good job of making them look stunning, like you say. (Smiles) They should all be falling on me. However, I would like the heroes to fall on me. Sab ladkiyaan hi mere peeche bhaag rahi hain!

Q: In your last film, you created a trend with SRK's six-pack. With this one you've bared Kat, not Akshay. Why?

A: I stripped Shah Rukh no, abhi sab ko strip karoon? And Katrina has not really stripped. She just bared her midriff, which she has never done before. I think she trusted me that I was not going to ogle at her, or make lecherous advances...

Q: You've done star appearances in songs, qawwalis, films set against the film industry. Too many similarities in your films.

A: Main Hoon Naa didn't have qawwalis or star appearances.

Q: But this one has Salman and a qawwali...

A: True. But TMK isn't about the film industry, the industry is just the backdrop.

Q: Isn't it time to do something different? Even Hey Babyy had 30 actresses in a song.

A: (Pats her hair) What can I say, I'm a trend-setter.

Q: Are you upsetting anybody in this one?

A: I hope not. I hope so. This time we've got a no-objection certificate from Manoj Kumar.

Source: santabanta



















Farah khan

Isi Life Mein music review

There is a certain quality of music that one expects from the soundtrack of a film comes from the house of Rajshri. However, one is still apprehensive about what Isi Life Mein has to offer due to multiple reasons. First and foremost the film is not directed by Sooraj Barjatya himself. Secondly, the film stars absolute newcomers as a lead pair. Thirdly, the music is composed by Meet ros. and Anjjan who don't quite have a body of work to boast of. Though there are half a dozen odd songs (all written by Manoj Muntashir) in the album, one still plays it on just with the hope of being pleasantly surprised.

MUSIC

A Hinglish track, 'Isi Umar Hai' has Mohit Chauhan taking lead as a singer. In the process, he makes the song pretty much his own as there is not much distinction that one sees between this rendition of this and a dozen odd other songs that he has sung for Bollywood flicks in the past. However, the song (which has Shreya Ghoshal entering the scene pretty late in the day) isn't what one terms as a cracker of a start as it's laidback pace coupled with some average lyrics (references to Facebook, Twitter, Orkut don't quite make it cool) end up making it barely passable.

If it is a Barjatya outing, it is hard to ignore references to Ramji. This is what happens in Isi Life Mein as well where a song by the title of 'Ramji 24X7' comes in next. Kavita Seth kick starts this fun track along with Shreya Ghoshal and aim at complimenting its rhythmic setting. Singing praises around Lord Rama and how He looks after you 24X7, the song tries to reach out to youth. However, one would wait to see how this song (which has Debojit Saha entering the scene a while later) is picturised since that would make all the difference to it's eventual popularity.

'LOL - Live out Loud' is the theme of Isi Life Mein and hence it was inevitable that a song by that name also appears in the album. A rock track that tries to be all girlie, funny and naughty, 'LOL - Live out Loud' has Shreya Ghoshal, Meet Bros. and Suzanne D'mello coming together to make it a fast paced funky outing. One hardly recollects the lyrics of this high on beats and full on pace track that doesn't quite have a shelf life beyond the film.

With a title like 'Tere Pyar Mein', one expects the first quintessential love song to finally make an appearance in Isi Life Mein. There is an elaborate orchestra at the beginning of the song that makes one look forward to something grand in the offing. Shreya Ghoshal begins the proceedings and does give an elaborate start to the song. Kunal Ganjwala joins her two minutes into the song and while he too tries to ignite the required passion between the two singers, the overall result just passes muster without making you long to listen to it all over again.

Kavita Seth gets a solo for herself in the form of 'Banni Avela Tharo Banna'. A traditional celebration track that belongs to the kind that one has heard a zillion times before and would continue to be played for years to come, it is a harmless song that should do well with the film's setting.

A devotional number which follows next just manages to complete the template which one expects from a Rajshri album. Udit Narayan sings 'Tum Darshan Hum Naina' which tells the tale of Lord Rama. One would have expected Isi Life Mein to deviate a little from the template approach and fill in the album with back to back songs about youngsters. However, what follows next is another version of 'Tum Darshan....' which is titled 'Apna Kaun Paraya Kaun' and is a sad take on affairs.

The album closes with three and a half minute long instrumental piece which is titled 'Taming of the Shrew Reborn Theme'. Seemingly created for a dance setting in the film's narrative, it would again all depend on the choreography to decide if the piece would have a wider reach in weeks to come.

OVERALL

Isi Life Mein is a barely average score that hunts for that one chartbuster to make it stand amidst the crowd. However, absence of a single track that would much of an impact, whether amongst the youth or the family crowds, coupled with the fact that there is no solid foundation that the album carries means that it would struggle hard to make its presence felt.



















Isi Life Mein

Yamla Pagla Deewana Movie review

One does expect the soundtrack of Yamla Pagla Deewana to be loaded with Punjabi flavoured songs from beginning till the end. Reason is obvious - the film has the entire Deol family coming together and unlike Apne, their last outing together, this one is far more 'desi' in appeal. However, one is a tad taken aback to see that instead of one single composer being entrusted with the responsibility to create an out and out masala soundtrack, there are RDB, Nouman Javaid, Anu Malik, Sandesh Shandilya and Rahul B. Seth getting a song or two apiece. Really, at this point one is not really sure about what would actually be in the offing.

MUSIC

Thankfully, the album takes a positive start, what with Dharmendra's smash hit chartbuster 'Yamla Pagla Deewana' making a comeback decades after it first made a country-wide impression. A rearranged version of the Laxmikant-Pyarelal song, 'Yamla Pagla Deewana' retains its overall flavour not just composition-wise but also when it comes to Anand Bakshi's lyrics. RDB does contribute a little with additional lyrics and interludes but the song doesn't loose it's originality at all. Sonu Nigam is just an apt choice to sing this one and along with Nindy Kaur, he indeed does a good job in this song.

Nouman Javaid composes 'Charha De Rang' and one gets a solid impression that the makers were most confident about this track. Reason being that it appears as many as four times in the album. None of them are 'remixes' though and are just different parts of the song. A soothing track sans any Western influence whatsoever, 'Charha De Rang' retains its Indian flavour right through its four and a half minutes duration. A love song which has Ali Pervez Mehdi, Rahat Fateh Ali Khan, Shweta Pandit, Mahalaxmi Iyer and Rahul B.Seth coming in different parts, at places it does remind of 'Saudebaazi' [Aakrosh]. However, the similarity is just restricted to a strong Indian flavour but that's about it. Written by Rahul B.Seth and Nouman Javaid, it is a decent track where female singers actually end up bringing in far more energy than their male counterparts.

One is not too sure about what exactly do the lyrics 'Tinku Jiya' stands for. However, the fact still remains that this Anu Malik composition is what promises to be a 'masala' outing for the masses. Rest assured, if this song is choreographed on the same lines as a 'Beedi Jalaile' [Omkara] or 'Munni Badnaam' [Dabangg] then there won't be anything stopping this one from finding good audience, especially in interiors of the country. A kind of track that one would associate with a 'Bhojpuri' film, 'Tinku Jiya' (which has Anu Malik turning lyricist as well) promises to be a raunchy number with Mamta Sharma and Javed Ali going all out to keep the momentum on.

In an album like Yamla Pagla Deewana, one didn't expect a quintessential love song. However, there is 'Sau Baar' which is inspired by Pakistani-pop and actually reminds one of many a songs that have been sung by Atif Aslam. This time around it is Omar Nadeem at the helm of affairs and while his 'mukhda' is good, the 'antara' that he shares with Shreya Ghoshal turns out to be barely ordinary. Though one would have really wanted this song to be exciting enough, considering the fact that composer Sandesh Shandilya and lyricist Irshad Kamil come together all over again, the results aren't fantastic.

After 'Tinku Jiya', composer/lyricist Anu Malik and singer Mamta Sharma come together all over again for 'Chamki Jawaani'. Initial portion of the song is on the same lines as 'Kajraare' [Bunty Aur Babli]. However, what follows next is not even close as 'Chamki Jawaani' hardly manages to excite. Now this is a surprise since the male singers behind the mike are Daler Mehndi and Master Salim but still, the song turns out to be hardly foot tapping. At this point, one starts getting doubts around the rest of the album since 'Chamki Jawaani' fails to impress.

Unfortunately the album only continues to go downhill with 'Son Titariya', yet another item number with a 'desi' flavour to it, doesn't catch your attention. In fact one starts wondering at this time around that why is Yamla Pagla Deewana taking a UP/Bihar route when one would have expected a trip to Punjab. Is it the 'munni badnaam' factor, one wonders, even as composer Rahul B.Seth doesn't quite succeed in creating any magic whatsoever along with singer Krishna Beura.

Thankfully there is some Punjabi flavour (finally) in the album with 'Kadd Ke Botal' which is written by Dharmendra himself. A celebration track which is put to tune by Rahul B.Seth and has Sukhwinder Singh, Harshdeep and Rosalie Nicholson teaming up for this 'dhol' and 'bhangra' track, 'Kadd Ke Botal' is decent but again not the kind that would top the charts in 'Yamla Pagla Deewana'. The album concludes with a much expected 'Gurbani'. A minute long piece from Shri Guru Granth Sahib, it is a devotional track which is put to tune by Sanjoy Chowdhury and sung by Shahid Mallya.

OVERALL

Even though the album is a loaded affair with as many as seven original pieces, the few tracks that manage to make an impression are (expectedly) the title song from the past and an item number 'Tinku Jiya'. 'Charha De Rang' can be given a few listening as well but the rest don't quite manage to make an impression despite an attempt at winning over the massy audiences. Really, one expected a far better outcome from Yamla Pagla Deewana than what it eventually has to offer.

Source: Bollywood Hungama


















Yamla Pagla Deewana

Ready: Bhushan Kumar film ready already have a music director

In all his excitement, T-Series head honcho Bhushan Kumar forgot that the movie he's producing (Ready) already had a music director (Pritam).

Kumar, who also owns the music rights of Farah Khan's Tees Maar Khan, asked her husband Shirish Kunder to compose a track for the Salman Khan starrer.

Says a source from T-Series, "Farah's hubby has composed the theme song of TMK and Bhushan has been getting mind-blowing reactions from distributors and his friends. He too loved it. He asked Shirish recently at an event to compose a similar theme song for Ready."

The problem is, Pritam has already composed the music of Ready. "The composer will be very upset if Bhushan takes on another music director and hogs the credit. The composer will throw tantrum and refuse to compose any more songs

source entertainment.oneindia











SOCH LO is release in Toronto

When debutant Sartaj Singh Pannu made SOCH LO with the limited budgets in hand hardly he must have imagined that his film would see such a wide release and will be well-received by one & all.
After receiving accolades & charming audiences in LA, Sartaj's SOCH LO is now all set to release in Toronto on Saturday 20th November 2010. The film is distributed by Barkha Madan's company Golden Gate Creations. SOCH LO will also release in UK in December. The release date of which will be finalized by 1st week of December.
Further SOCH LO is also officially queued on Netflix, biggest and best online DVDs streaming in USA. It's a rare feat as very few Bollywood films make it to Netflix.
Truly Sartaj's SOCH LO proves that if the determination is strong there's no stopping you to achieve what you want.

source glamsham



SOCH LO


SOCH LO


SOCH LO


SOCH LO


SOCH LO

Atif Aslam to make his Bollywood acting debut

First it was the Prince of Pop, Ali Zafar, who made his bollywood acting debut with the film Tere Bin Laden, bagged a second-lead role in Yash Raj Films’ Mere Brother Ki Dulhan and another one, apparently in David Dhawan’s Chashme Badoor, and now it is well known, that the heart-throb for millions of Asians, the Pop sensation, Atif Aslam, who will be making his acting debut in Bollywood in a film being produced by Kumar Taurani of Tips. Atif Aslam has already made his acting debut in a Pakistani film Bol, which has been directed by Shoaib Mansoor, and is slated to release next year.

Kumar Taurani who confirmed the news saying, “Yes, Atif will be making his Bollywood debut with my film. However, though I am saying this it should be clear that nothing is yet finalized, we are still talking to Atif.”

Producers are not ready to reveal anything at this stage, but according to the sources, “Atif Aslam will star in the lead role in Kumar Taurani’s untitled next. Atif has been exclusively signed on with Tips as a singer for five years. But he has signed a three-film-deal with them as well.”

“Besides this, Atif has also signed on with Tips to release his music and albums, the first of which will happen next year in January after which we will formally announce the film with him in the lead. One more point that we are happy about and looking forward to is that Atif being the voice for many Bollywood stars will be singing and doing his own music for the film.”

Source: PK Evolution

Atif Aslam film bol

Atif Aslam film bol
Atif Aslam film bol

Atif Aslam film bol
Atif Aslam film bol

Atif Aslam film bol
Atif Aslam film bol

Atif Aslam film bol
Atif Aslam film bol

Atif Aslam film bol

Music review Band Baaja Baraat

Maneesh Sharma's directorial debut under the YRF banner, Band Baaja Baaraat's music was released by the lead pair of Ranveer Singh-Anushka Sharma this week. The couple plays wedding planners in the movies: Shruti and Bittoo are just out of Delhi University. A chance and inopportune meeting brings them together to reluctantly start a tumultuous entrepreneurial venture as Wedding Planners. Their business enters the ups and downs of the lavish world of the glamour and glitz of Delhi baaraats and weddings that will test their friendship over time.

Since the film is centered on the theme of marriage the musical duo of Salim-Sulaiman have tried to incorporate this in most of the songs of the album. Amitabh Bhattacharya, who has given some good and at times wacky lyrics for movies like Dev D, Aamir, and Houseful, penned the lyrics for BBB. The album aims at being a youthful one with a thadka of traditional wedding band-baaja. The final output? Let's find out.

The soundtrack consists of 7 original tracks and 2 remixes. The first track on the album, Ainvayi Ainvayi, is already out and climbing the charts. Sung by Salim Merchant and Sunidhi Chauhan, this one's a really good song with the male vs female nauk-jhok nicely conveyed through Amitabh's lyrics. Sunidhi's great as usual, an apt choice for this Punjabi flavored song, but Salim surprises you with his rendition in truly Punjabi style. This one will surely stay with you.

Tarkeebein, sung by Benny Dayal (of Ghajini fame) and Salim again, is another awesome song from this album. It does have a slow start that then picks up a bit of pace. Tarkeebein reflects the youth mentality and aspirations - great ideas, great dreams. There are some really wacky lyrics: "Sir pe maalish ke jaise hai mansoobe har dil ke, uljhe baalon ke jaise raaste hain manjil ke, jeboh main rakhle yaara kangi hain tarkeebein", and you can't help but fall in love with this song. Perfect use of the guitar.

Aadha Ishq by Shreya Ghosal is a pretty decent number. A romantic track with very typical lyrics and Salim-Sulaiman treatment, this song is ok but will definitely wear off after repeated hearings. The crooning by the lady in the song seems completely out of place and tends to break the flow of the song.

Just when you feel that the soundtrack's going pretty well, comes the next song Dum Dum by Benny and Himani Kapoor (Sa Re Ga Ma Pa finalist and heard on 'Jogi Mahi' from Bachna Aae Haseeno) which tries to be sad-rock-sufi kind of number and fails miserably. There is nothing to save this song. You can safely skip this one.

Amitabh Bhattacharya, the voice behind the soulful 'Iktara' from Wake Up Sid, teams up with Salim(again) to give another beautiful track, Mitra. Pretty good combination of guitar-drum beats, this song succeeds in creating a sad song with a good rock background. Speaking of love lost between two people, this is a song which many would surely like.

Punjabi dhol-baaja comes back again with the next track Baari Barse, sung by Harshdeep Kaur, Labh Janjua and Salim. 'Baari Barse'; is a traditional song at many Punjabi weddings, albeit with a twist. The combination of new lyrics and Punjabi beats makes this a likeable song. Be sure and check out the hatke descriptions of the relatives in the song. The downside is that this being a very typical Punjabi song, listeners who have had enough of such songs may not enjoy this number so much.

Salim-Shraddha Pandit's Title track Band Baaja Baaraat is a pretty short one - it's barely 2 minutes and mostly contains music - but it manages to makes its presence felt. Probably to be used for the montages of the different weddings in the movie, this adds the remaining masti for a wedding atmosphere.

The last two are remixes, Ainvayi (Dilli Club Mix) and Dum Dum (Sufi Mix) - with Sukhwinder Singh replacing Benny - are strictly below average, run-of-the mill remixes; heavy dose of unnecessary beats which seem out of sync with the song.

This is Salim-Sulaiman's second album this year after Teen Patti. And while it definitely is an improvement over latter's soundtrack, you can't help but feel that this album fails to live up to the expectation generated by the initial tracks. Maybe it's just their signature style but you do feel hints of Rocket Singh, Aaja Nachle in these songs. The lyrics are unconventional and definitely worth a mention. However, don't expect too much and you won't be disappointed.

Source: BollywoodSpice

Band Baaja Baraat

Band Baaja Baraat
Band Baaja Baraat

Band Baaja Baraat
Band Baaja Baraat

Band Baaja Baraat
Band Baaja Baraat

Band Baaja Baraat
Band Baaja Baraat

Anuska sharma

Guzaarish is sailing in troubled waters

The Aishwarya Bachchan and Hrithik Roshan starrer, Guzaarish, is sailing in troubled waters even before its release. The medical community is up in arms against posters of the film showing the lead actress holding a cigarette. Doctors think it is sending a wrong message to the youth on smoking. Apart from the movie producers, medicos are upset with BEST, which is a government entity, for allowing such posters to be displayed on their vehicles. "We are going to write a letter to BEST and request the filmmakers to remove these posters immediately. Aishwarya Bachchan is a renowned actress and seeing her holding a cigarette may influence many young minds," said oncologist, Dr Pankaj Chaturvedi from the Tata Memorial Hospital.

As a mark of protest, Doctors for You (DFY), a not-for-profit organisation, has decided to wear black badges on Guzaarish's release date, which is scheduled for November 19. It was in 2005 that on-screen smoking was banned by then Union Minister for Health, Dr Anbumani Ramadoss, but the ban was revoked in 2009.

Dr PC Gupta from the Healis Sekhasaria Institute of Public Health, said, "This is a clear-cut promotion of smoking and we will send a letter to Aishwarya requesting her not to use this particular scene for promotion."

Not long ago Aishwarya's father-in-law, Amitabh Bachchan, found himself in advertising trouble after the NGO, National Organisation for Tobacco Eradication (NOTE), filed a case against him for allegedly smoking a cigar in an advertisement.

Even after repeated calls and text messages to producer Ronnie Screwvala, he was unavailable for comment.

Source: oneindia


hrithik roshan Guzaarish

hrithik roshan Guzaarish
hrithik roshan Guzaarish

hrithik roshan Guzaarish
hrithik roshan Guzaarish

hrithik roshan Guzaarish
hrithik roshan Guzaarish

hrithik roshan Guzaarish
hrithik roshan Guzaarish

hrithik roshan Guzaarish

bollywood stars at janmasthami pictures